Have you ever wondered what it looks like when a camera company releases a barrel full of new cameras on the evening following the Super Bowl? You’re about to find out. Because Canon, AKA Sunday night ruiners #1, have done this thing. Because this is when we all shop for cameras — right after returning semi-comatose to our homes and passing out after a day of wings and lite beer.Let us proceed, from most to least expensive, as usual when Canon sacks my Sunday evening.
First, and you may want to sit down for this part, there has been a rebranding of the ELPH models. Calm yourself. As it turns out this branding amounts to “a “HS” suffix to represent the inclusion of the HS SYSTEM in each model.” So when you see an HS on the end, that means it has HS. What is HS? It stands for “high sensitivity,” and is essentially a noise reduction algorithm. “Why can’t they just advertise better low-light performance,” you ask? I’ll pass that on to my PR contact. Presumably their copy writers are paid by the paragraph. Anyway!All these cameras shoot 1080p, but as with any other compact camera, it’s going to be pretty bad. Who are you kidding, you’re going to burn it on a DVD for aunt Sally or put it on Youtube for uncle Wayne anyway. As far as 1080p goes, anyway, compact cameras are the bottom of the barrel. Forget I even mentioned it.
The ELPH 500/300/100 HS (in descending order)
These things are similar to one another — but how? Well, let’s just say that they are different in this way: The 500 ($300) has a f/2.0 lens with a 4.4x zoom and a 3.2″ touchscreen LCD. It’s the nice one, hence the higher number.
The 300 ($250) has a 2.7″ screen and a F/2.7/5x zoom (not that different, but not as good a lens), and the 100 ($200) has a paltry F/2.8/4x zoom and a 3″ screen. Wait, the screen is bigger? Okay, sure, but the lens isn’t quite as wide-angle.
Of this group, honestly, I’d go with the cheapest. F/2.8 is perfectly fine for a point and shoot, the screen is fine, and you’re really not gaining much by upgrading. These aren’t the budget models, they’ve got mostly the same guts, and they’re all 12.1 megapixels, likely the exact same sensor. Save a hundred bucks and buy a case and a little tripod so you don’t have to use the flash.
The ELPH SX230
This thing is the GPS-enabled one. And it’s got an utterly insane (for a point-and-shoot) zoom factor of 14x, plus a nice big 3.0″ LCD. The 12.1 megapixels suggest it’s the same sensor as the previous group, and at $350 it’s far more expensive, so unless you’re really dying for geotagging, I’d still go with the 100 up there.
I hope this has been educational. Pictures are via DP Review, since them and Canon are like this:
I don’t blame you, PR guys. It’s cool. I know how it is.
Monday, February 7, 2011
Canon Launches New Powershots, We Write Post About Them by Devin Coldewey via CrunchGear
Canon Increments DSLR Line With New T3i And T3 by Devin Coldewey via CrunchGear
Compact DSLR video has been made slightly more crowd-friendly with Canon’s latest cameras, the T3i and T3. The former is clearly a direct successor to the T2i, which we reviewed here, and the T3 is a somewhat downgraded version of the same. Details, sweet details, follow.The T3i and T3 also have aliases, as per the Canon usual: 600D and 1100D respectively. And as usual, you’d expect the big number to be the superior item, but as usual, no. Details! Inside!
Also, the press release is one space away from “empowering them asses.” It’s the same thing when you think about it.
The 18-megapixel T3i/600D is the next version in the “enthusiast” line of DSLRs, above the budget level but below the more robust and weighty 60D and 7D. The primary enhancement seems to be the addition of a swivel LCD. It’s the same screen as last year’s T2i, which is to say 720×480 and great, but now it can be pulled out and twisted and such, not unlike the 60D. The auto mode now also adjusts “picture style,” which isn’t much of an improvement, since the auto mode already adjusted “exposure, focus, white balance, and Auto Lighting Optimizer,” leaving little to the “style” setting.
Crop lines for square, 16:9, and 4:3 aspect ratios can now also be viewed while shooting video, which is nice, but other than that it doesn’t appear that the video function has sustained any improvements. That’s not a bad thing, since in my opinion the T2i was already the leader in the enthusiast zone, but you’d think in a year they might add a few frames to the FPS. It continues to take 1080p at 24/25/30fps. There’s now a feature called “Movie Digital Zoom,” a tarted-up digital zoom that claims an”extra boost without a loss in video quality,” a claim I don’t believe for a single second.
The T3i will be available at the beginning of March for $799.99. If you don’t need the twisty screen, the T2i will be available for considerably less at the same time, with almost exactly the same capabilities.
The T3/1100D is the budget DSLR, but don’t make that into a bad thing. Its 12-megapixel sensor will do 720p video at 30 or 25fps. Great, but its LCD is only 320×240 and not swivel-able, so you lose quite a bit there. Historically the 1xxxxD models have performed somewhat worse than the x00D/x50D models, but not to the point where it’s a problem. And hey, it’s $599.99, two hundred bucks less, so if you’re looking for a basic DSLR that’ll also do some solid video, this isn’t a bad deal.Personally I’d say you should spring for a T2i, but that’s just my opinion. The new kit lens now includes new IS algorithms, but I’d still spend the extra $100-$150 to get a really basic prime or wide-angle-zoom. Get the body-only, don’t bother with the kit, and buy a lens with the money you save.
Pictures courtesy of DP Review… since who sends pictures of a new product out with the press release?
What, you want the press release? Oh all right, enjoy:
CANON EMPOWERS THE MASSES TO TAKE BETTER PHOTOGRAPHS AND VIDEOWITH THE NEW EOS REBEL T3i AND EOS REBEL T3 DIGITAL SLR CAMERAS
Two New Speedlites and a New EF-S Lens Round Out the Photographic Journey
LAKE SUCCESS, N.Y., February 7, 2011 – Canon U.S.A., Inc., a leader in digital imaging, today announced the EOS Rebel T3i and EOS Rebel T3 Digital SLR Cameras, providing numerous intelligent high-end features at attractive price points. Complementing the award-winning EOS Rebel T2i DSLR, the EOS Rebel T3i, Canon’s new flagship Rebel, offers fun and easy-to-use features for beginning photographers, and the EOS Rebel T3 provides a more attractively priced option for those looking to experience the pleasure of shooting with a DSLR camera. For the young enthusiast learning photography or the adult looking to learn more, Canon’s new Feature Guide instruction will walk Rebel T3i users through functions and provide recommendations for various settings, a great hands-on learning tool. Point-and-Shoot users looking to step-up to a DSLR will enjoy the T3i camera’s Scene Intelligent Auto mode, the most intuitive automatic camera mode available in a Canon Rebel camera to date, providing complete scene analysis and optimized settings. One of the most sought-after and requested features for a DSLR camera is now part of the new EOS Rebel T3i, Canon’s three-inch Vari-Angle Clear View LCD screen, ideal for properly composing those difficult overhead shots. Comfortable, lightweight and affordable, Canon’s new EOS Rebel T3 is a great camera to welcome users to the world of DSLR photography.
“Everyone today is a photographer, and for those looking to capture stunning images and do more with photography, Canon has introduced the EOS Rebel T3i and T3, offering the right balance of high-end features and easy-to-use guidance at a great price. So regardless of experience level or budget, there is a Canon Rebel camera suited to a user’s needs and lifestyle,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.
Boasting Canon’s EOS HD video capture, 18-megapixel resolution, a three-inch Vari-Angle Clear View LCD screen, new Scene Intelligent Auto, new Video Snapshot technology and new Feature Guide instruction, the EOS Rebel T3i DSLR has plenty of reasons for Mom and Dad to step up to a DSLR. Canon’s new EOS Rebel T3 DSLR camera offers users a small, lightweight interchangeable lens camera with fun options. The Rebel T3 features HD movie capture, 12-megapixel resolution and Canon’s new informative Feature Guide, to help educate and instruct users as they capture great images, along with the inherent speed and low-light image quality of a Canon DSLR camera. Both new Rebel models are compatible with Canon’s complete line of more than 60 Canon EF and EF-S lenses.
New EOS Feature Guide
Canon has also included a new EOS Feature Guide on both new Rebel cameras with an enhanced Quick Settings Screen that now includes detailed descriptions of camera settings. The EOS Feature Guide is designed to help first-time users and beginning enthusiasts better understand each camera setting with descriptions and guided recommendations for when to utilize certain settings. Along with an explanation of camera settings and modes, the Feature Guide includes easy-to-understand directions of how to use particular settings such as aperture adjustment in Canon’s Creative Auto mode:
Basic + Function
Canon helps beginners get more creative with photography by letting even the most entry-level novice make camera adjustments with easy to understand setting options. In automatic shooting modes such as Portrait, Landscape, Close-up, Action and Night Scene, Canon users can access a quick menu screen to make adjustments as per the scene’s ambience. When shooting in one of Canon’s “Basic Zones” users can make adjustments as per the scene’s lighting or scene type. An easy-to-read menu lets you select an ambience setting from Vivid, Soft, Warm, Intense, Cool, Brighter, Darker to Monochrome, while a Lighting setting allows users to select from Daylight, Shade, Cloudy, Tungsten light, Fluorescent light or Sunset.
Rebel T3i Digital SLR Camera
An A+ for Automatic Mode
Canon aims to make everyone a better photographer and has enhanced the capabilities of the Rebel T3i’s automatic mode with new Scene Intelligent Auto technology, re-branding the green mode dial setting with a boxed “A+” design. This new camera setting now takes Picture Style into account as part of the camera’s “Auto” setting. By analyzing faces, colors, brightness, movement, and contrast, the camera will dynamically adjust picture-style parameters to match the subject and control vividness. Previously, the automatic setting on a Rebel DSLR adjusted exposure, focus, white balance, and Auto Lighting Optimizer, however on the new Rebel T3i, Picture Style Auto is also taken into account as part of the new Scene Intelligent Auto technology. By incorporating this fifth parameter the camera more intelligently analyzes scenes and adjusts settings based on the subject matter being shot. So when the camera is photographing a face it will reproduce more natural skin tones or blue skies for more vivid landscapes, a flashy red car for more saturated color and evening sunsets for more expressive images.
Fun Rebel Features
For the first time in a Rebel DSLR, the new Rebel T3i features a large Vari-Angle three-inch Clear View LCD screen with 1,040,000 dot/VGA resolution plus anti-reflective and smudge-resistant coatings for bright clear viewing from any angle. The large Vari-Angle screen helps compose low-angle or overhead shots whether capturing still images or Full HD video clips. Photographers will enjoy the convenience of capturing an overhead shot of a parade or low-angle shots of their children on the Vari-Angle screen.
Canon’s new EOS Rebel T3i DSLR gives creative photographers some fun in-camera tools that enable users to apply Creative Filters to images after they have been shot without altering the original file. Canon’s new Creative Image Filters, familiar to Canon PowerShot and EOS 60D users, help make a great image more dynamic by creating an altered copy of the image through any of Canon’s four artistic filter options:
* The Soft Focus effect filter helps dramatize an image and smooth over shiny reflections.
* The Grainy Black and White filter can give a different nostalgic perspective to any shot.
* Canon’s “Toy Camera” filter deliberately adds vignetting and color shift for a creative option when shooting a colorful scene.
* Users can also make a scene appear like a small-scale model, simulating the look from a tilt-shift lens, with Canon’s Miniature Effect filter, great when shooting any scene from a high vantage point.Each of these filters can be applied to a captured still image in-camera to create a second “filtered” JPEG version, leaving the original JPEG file unaffected.
Another addition to the camera’s Live View function is Canon’s new Aspect Ratio feature whereby the Live View screen can display cropping lines for 1:1, 16:9 or 4:3 aspect ratios in addition to the standard 3:2 ratio. These cropping lines make it easier to compose images in Live View, and they can help to expedite printing when using Canon’s supplied Digital Photo Professional software. Custom aspect ratios are also applied to JPEG images captured directly in-camera.
EOS HD Video Specs
The EOS Rebel T3i with Full HD video capture at 1920 x 1080 resolution in selectable frame rates of 24p, 25p or 30p will grab the attention of film students and independent filmmakers alike. The Rebel T3i incorporates two Canon proprietary technologies for rendering amazing HD video, a DIGIC 4 Imaging Processor and a large APS-C–sized CMOS sensor capturing fine detail and color with an amazing cinematic depth of field. The Rebel T3i DSLR allows for three video recording modes – Full HD and HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio, all at selectable frame rates.
EOS HD Video: Ready For A Close-Up
When shooting Full HD video, the Rebel T3i digitally provides additional zoom power without sacrificing quality. The new Movie Digital Zoom feature, a first for Canon DSLRs, allows users to achieve 3x to 10x magnification while shooting Full HD video. Unlike standard digital zoom for still images, Movie Digital Zoom crops the video image directly from the CMOS sensor at Full HD resolution to preserve video quality and still provide amazing additional telephoto power beyond just the lens. The Movie Digital Zoom feature is great for those times when the lens isn’t enough to get you in close, but this feature provides the extra boost without a loss in video quality so a child’s smile on stage is just as clear and bright.
EOS Video Snapshot
Canon’s new EOS Video Snapshot feature borrows some innovation from Canon’s VIXIA line of camcorders for capturing, assembling and playing fun-to-watch video clips. EOS Video Snapshot enables users to capture the video highlights of family vacations, parties or milestone events, with the same ease as taking photos. Consumers can now record a series of two-, four- or eight-second video clips automatically. The scenes are assembled by the camera into continuous Video Snapshot Album files for easy playback and can even be further edited in camera or through Canon’s Video Snapshot Task software on a compatible personal computer for added flexibility and fun.
Valuable Additional Features
Along with the adjustable LCD screen, the new EOS Rebel T3i DSLR features a class-leading 18-megapixel Canon CMOS sensor, a proprietary DIGIC 4 Imaging Processor, a 9-point Autofocus system and a 63-zone dual-layer metering system. Capable of capturing kids at play or wildlife on the move, the Rebel T3i can shoot up to 34 consecutive full resolution JPEG still images or up to 11 consecutive RAW images at speeds up to 3.7-frames-per-second to either SD, SDHC or new extended capacity SDXC memory cards.
The Rebel T3i includes an ISO range from 100-6400, allowing it to capture beautiful images without the need for a flash during milestone events such as birthday celebrations, yet it still includes a built-in pop-up flash for those times requiring a little extra light. For the first time on a Rebel camera, the T3i features a built-in Integrated Speedlite Transmitter making it even easier to do multi-flash shoots and provide images with greater ambience. The new Integrated Speedlite settings are now even easier for beginners shooting with multiple flashes.
Pricing and Availability
The Canon EOS T3i Digital SLR camera is scheduled to be delivered to U.S. dealers in the beginning of March, and will be sold in a body-only configuration at an estimated retail price of $799.99. It will also be offered in a kit version with Canon’s new EF-S 18-55mm f/3.5-5.6 IS II zoom lens at an estimated retail price of $899.99. It will also be available in a second kit version with Canon’s EF-S 18-135mm f/3.5-5.6 IS zoom lens at an estimated retail price of $1099.00.
Rebel T3 Digital SLR Camera
Canon is happy to introduce a chic camera for beginners to ease into the exciting world of DSLR photography and videography; the new EOS Rebel T3 Digital SLR camera. The Rebel T3 is designed to be the camera that can be expertly handled by anyone and allows great-looking photos to be taken with ease and style. The Rebel T3 is excellent in low-light shooting situations and simple to handle and operate.
Putting big imaging power in a small body, the new EOS Rebel T3 DSLR features a 12.2-megapixel Canon CMOS image sensor, a proprietary DIGIC 4 Imaging Processor, a 9-point Autofocus system and a 63-zone dual-layer metering system. With individual pixels measuring roughly 10x larger than a pixel from a point-and-shoot camera sensor, the Rebel T3 is able to absorb more light with less noise, making it ideal for capturing high-quality images in dimly lit situations. The increased efficiencies in gathering light also make the camera better suited to freeze fast-moving objects such as capturing images of children at play at speeds up to 3-frames per second. Compatible with SD, SDHC or new extended capacity SDXC memory cards, the Rebel T3 also shoots 1280×720 HD movies for amazing image quality for both stills and video. The Canon Rebel T3 features an ISO range from 100-6400 for capturing beautiful images in various light settings while also including a built-in pop-up flash. Designed for easy operation through the camera’s mode dial, users can go from taking great still images to great video quickly and easily, with simple to understand icons and buttons.
Pricing and Availability
The Canon EOS Rebel T3 Digital SLR camera is scheduled to be delivered to U.S. dealers at the end of March, and will be offered in a kit with Canon’s new EF-S 18-55mm f/3.5-5.6 II zoom lens at an estimated retail price of $599.99.
New Kit Lenses
Along with these DSLR cameras, Canon is also introducing a new kit lens, the EF-S 18-55mm f/3.5-5.6 IS II zoom lens, the standard kit lens for both the Rebel T3i kit configuration and the Rebel T3 kit configuration.
The new EF-S 18-55mm f/3.5-5.6 IS II zoom lens features the wide-angle to mid-range zoom flexibility with the advantage of Canon’s optical lens-shift image stabilization system that yields up to a full four stops of image-shake correction. The version II of this lens includes new IS algorithms to distinguish between normal photographing and when the camera is panning to automatically provide the optimal level of image-shake correction.
New Canon Speedlite 320EX and Canon Speedlite 270EX II
The new Canon Speedlite 320EX is designed to provide DSLR users with a lightweight and versatile external flash solution. Along with the new Speedlite 320EX regular flash functions, it includes a built-in LED continuous light option that is capable of providing full-time illumination for short distances when shooting video on a DSLR or PowerShot digital camera. Ideally paired with the new EOS Rebel T3i, the new Speedlite 320EX enables bounce flash shooting with six positions including ceiling bounce for vertical shooting, and rear-wall bounce. The Speedlite 320EX also includes a new remote firing function and can remote fire any EOS DSLR camera that has a built-in wireless remote control function or Integrated Speedlite Transmitter such as the new Rebel T3i, EOS 60D, or EOS 7D DSLRs. The new Speedlite 320EX provides photographers with all the great lighting options Speedlites are known for with the added capability to shoot HD video with a full-time LED light option.
The new Canon Speedlite 270EX II, the successor to the popular 270EX Speedlite model, is a compact, lightweight external flash option for Canon cameras including select Canon PowerShot models. Ideal for use with the new EOS Rebel T3, the new Speedlite 270EX II uses only two AA batteries and enables bounce flash shooting with four position steps from 0 degrees to 90 degrees. Like Canon’s high-end Speedlite flash models, the 270EX II allows users to control flash functions and input settings using the camera’s LCD monitor. The flash also features a quick-lock mechanism and a metal mounting foot for secure and easy attachment and reliable contact. In addition to the features of 270EX model, the Speedlite 270EX II adds a remote firing function similar to that of the Speedlite 320EX. Both new Speedlites can also be used as slave flash units in E-TTL wireless autoflash configurations with other E-TTL compatible EOS and PowerShot cameras. Canon’s Speedlite 270EX II is the new compact and versatile lighting tool for photographers empowering them with multiple light options, compact-size and portability.
Pricing and Availability
The Canon Speedlite 320EX is scheduled to be delivered to U.S. dealers in April for an estimated retail price of $249.99. The Canon Speedlite 270EX II is scheduled to be delivered to U.S. dealers in the beginning of April for an estimated retail price of $169.99.
About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked fourth overall in the U.S. in 2009†, with 2009 global revenues of US $35 billion, is listed as number six in the computer industry on Fortune Magazine’s World’s Most Admired Companies 2010 list, and is on the 2009 BusinessWeek list of “100 Best Global Brands.” Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of Kyosei – “all people, regardless of race, religion or culture, harmoniously living and working together into the future” – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei.To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss.>
Tuesday, January 11, 2011
Transform Your DSLR into a Supercharged, Professional Video Camera [Video]
Transform Your DSLR into a Supercharged, Professional Video Camera
If you've got one of Canon's amazing video-capable DSLRs, you know you've got a powerful camera. What you may not know is that you can add some incredible features, for free, with an open-source firmware add-on called Magic Lantern. Here's how.
Photo remixed from originals by Miss Katrina Beers and Carole Smith
Note: if you've got a point and shoot camera, be sure to check out or guide on turning your point and shoot into a super camera. If you're simply new to DSLR video, you'll want to learn how to record great video with your DSLR.
What is Magic Lantern?
Magic Lantern introduction from Trammell Hudson on Vimeo.
Magic Lantern probably best explained by its creators in the video above, but it is essentially an enhancement that works on top of Canon's firmware to provide great new features to your video-capable Canon DSLR that you'd expect to see on a professional video camera. For example, you have much finer control over audio, can overlay a zebra pattern to see overexposed areas of the frame, add custom crop marks for various aspect ratios (like 2.35:1), set up programmable focus, and more. It's incredibly easy to install (which we'll walk you through in a minute) and will let you do things with a DSLR that have generally only been possible with cameras that may cost more than your yearly wages. To get more information directly from the source, download the firmware; you can check compatibility with your particular Canon DSLR at the Magic Lantern Wiki. Now that you know what it's capable of and where to get it, let's dive into installing and using it.How to Install Magic Lantern
Magic Lantern works on more than the Canon 5D Mark II, but since that was the first camera it was made for and it's the one that I've got, that's what we're going to use as a model. You should do the necessary research about your camera model and its compatibility before you begin this process. While nobody, to date, has broken their camera with Magic Lantern, it's not beyond the realm of possibility. Just be informed before you start playing with it.
Magic Lantern isn't a firmware upgrade or replacement, but rather software that runs alongside the installed firmware. This means it needs to be compatible with your camera's firmware version. In the 5D Mark II, Magic Lantern is compatible with firmware versions 1.0.7, 1.1.0, 2.0.3, 2.0.4 and 2.0.8, but you need to match up your camera's firmware version with the version of Magic Lantern that supports it. For example, Magic Lantern 0.1.6 only supports 5D Mark II Firmware 1.1.0. Later versions won't work and your camera will freeze up.
The Magic Lantern download page only has version 0.1.6, 0.1.5, and 0.1.4 available, so if your Canon firmware version is later than 1.1.0 you get the pleasure of trying to figure out where to download the latest version of Magic Lantern. To make things easy on yourself, updated your 5D Mark II to version 2.0.8 (which is the latest as of the time of this writing) and download version 0.1.9 via the Google Groups posting. If you ever want to find other versions of Magic Lantern, the Magic Lantern Google Group is your best place to look.
Once you've download version 0.1.9 (or the version you needed), you'll unzip the download and see these files:
Copy the magiclantern.fir file to the root of your CompactFlash (or, for some of you, SD) card and put it back into the camera. If you've upgraded your firmware on the 5D Mark II before (and chances are you have), this process should seem familiar. So should the next steps.
All you need to do is go into your settings where you upgrade your firmware (if you're using a 5D Mark II, it's the last option under the third yellow wrench as pictured above). That option should just be the version of your firmware. Select it, tell the camera you want to upgrade, and once you confirm it'll seem to reboot. If it's been more than 10 seconds, take your battery out and put it back in because you did something wrong. If the camera is functional again within a few seconds, congratulations! You just loaded up Magic Lantern.
Important note: the Magic Lantern firmware works in conjunction with the installed Canon firmware. It does not change it. In order to use it, you need to load it through the process just described each time the camera boots. It can sometimes be hard to tell when this is, so just remember: reload Magic Lantern using the previously described process if you can't access it when your camera is running. This means you cannot delete the magiclantern.fir file from the root of your CompactFlash card.
How to Use Magic Lantern
The moment you go into Live View mode on your camera you should notice some changes (like audio signal meters along the top of the frame and zebra patterns on overexposed areas), but if you want to start messing around with the settings you need to press the Picture Style button to bring them up. Are you wondering which button that is? Me too. I just pushed a bunch of buttons until I found it, but here's a graphic to save you the trouble (unless you like pushing buttons):
On the 5D Mark II, it's the button below the MENU button. From there you'll have a whole bunch of settings to play with, and you can navigate through your options with your camera's joystick (and select by pressing in on the joystick). Let's take a look at them all from left to right.
Audio
The audio panel was one of the original reasons Magic Lantern was created in the first place: Canon didn't provide any control over audio levels. While better control came with firmware update 2.0.3, you still get much more control from Magic Lantern. You can set the output volume of the camera's audio, increase the gain to make the recorded sounds louder (which you can also do easily in post), and set the gain for the left and right channels of the audio input separately. You can also turn auto gain control (AGC) on or off. Turning it on will make the camera adjust the audio levels automatically based on the loudness of the audio coming into the camera. Finally, you can choose the source of the audio, which is essentially a toggle between the camera's internal microphone and the 1/8" external input source on the side of the camera. By default, Magic Lantern ignores the camera's internal microphone.
Video
The video section gives you control over the zebra patterns. You can turn them on or off and set the threshold. You can also specify crop marks for different aspect ratios, but you need to create a BMP file and load it onto your CompactFlash card with the firmware. An example is included along with the firmware you downloaded. You can also toggle the histogram and waveform displays on and off from this panel.
Brack(et)
Bracketing is what you use to take multiple exposures with one shutter press. This is commonly used in HDR photograhy. By default, your camera will takes three exposures: one normal, one under-exposed, and one over-exposed. You can also specify how over- and under-exposed each of those shots will be by selecting a range. Magic Lantern takes this a bit further by letting you specify a much wider range between photos and also take more than three. Currently you can go all the way up to 13. I'm not sure why you'd need that many, but the option is there if you're in the mood.
Focus
What is probably my favorite part of Magic Lantern is the focusing features. What this feature does is rack focus mechanically. If you don't know, rack focusing is moving the lens' focus from one point of focus to another. Say if you're recording video of a person walking from one point in a room to another. Chances are they're not walking in a straight line and are coming closer to or moving farther away from the camera. You'll need to adjust focus as they walk and this can be difficult to track. The focus panel lets you set a start and end focus point and how long it should take to move from one point to the other. This way you can make the camera perform the rack focus operation for you. How you can do it is hard to explain but much easier to see, so take a look at the video below for detailed instructions:
Magic Lantern - DOF and Focus stacking demo from Trammell Hudson on Vimeo.
Debug, Boot, and PTP
That's all there is to it. Now you've got an inexpensive video-capable DSLR with features that rival cameras that cost more than college tuition.
These last three sections are sections you can ignore. Unless you're participating in the development of Magic Lantern, stay out. Everything you want and need can be found to the left, although if you're curious about things like the temperature of your CMOS image sensor you can poke around in the debug menu for that and other neat information.
You can contact Adam Dachis, the author of this post, at adachis@lifehacker.com. You can also follow him on Twitter and Facebook.
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Wednesday, September 15, 2010
Hands-Off Comparison: Nikon D7000 And P7000 Vs. Canon 60D And G12
Canon and Nikon, the photography world’s Hatfields and McCoys, have both recently released new DSLRs and compact manuals. While all of them are certainly excellent cameras, they’re clearly gunning for each other and a quick perusal of all their specs seems in order.
The contenders are the Nikon D7000, released just a few minutes ago, the Canon 60D, released last week, the Nikon P7000, also released last week, and the Canon G12, released the day before yesterday. As you can see, it really is a fresh crop of photographic equipment; let’s see what these devices’ numbers look like next to each other.Canon 60D vs. Nikon D7000
DSLRs first. The numbers, please…
No decisive winner here, but I think the D7000 is really looking pretty good. Its superior ISO range and AF system mean that it’s better suited for all-purpose photography; the megapixel difference is negligible. The video modes are comparable, and while I’d like more frame rate options on both cameras, I actually prefer the limitations on the D7000 to those on the 60D. Of course, the 60D has a better LCD in both resolution and usability, so there’s that, but consider that the D7000 has a far better body — weather sealing and a partial Magnesium alloy shell are a huge win at this price point.Winner: Nikon D7000 (decision)
Canon G12 vs. Nikon P7000
Now for the compact manuals. Canon’s G series has historically been the go-to item for this category.
That’s a knockout, sports fans. The P7000 beats the G12 on practically every stat, at the same price, and try as I might, I could not find a serious reason to buy the Canon over the Nikon. Is Canon getting lazy? (Update: The G12′s ISO is expandable to 12800, putting it more or less on equal footing there, though Nikon gets up to 6400 without boosting.)Winner: Nikon P7000 (KO)
Keep in mind, of course, that these are all great cameras, and of course one or the other might just work better for you, so try to get your hands on one before you buy. But when the prices are so close (or identical) it’s important to do a little window shopping.There’s also competition at the $700-$800 level, but I think the Canon T2i is a pretty clear winner there for now. Another situation that’s evolving is the micro four thirds other EVIL system cameras. These, I think, are still young, and need a little time to mature before they’re worth investing in.
It’s also worth mentioning that I’m a Canon guy, so don’t even try accusing me of Nikon bias. They’re just whupping Canon with these particular devices.
Nikon’s New D7000 Focuses On The Enthusiast Market
Looking for a DSLR that pretty much does it all? Say you need great low light performance, auto-focus while shooting HD video, and a new image processing system that gives you a 6 FPS burst speed for those action shots? Nikon’s got you covered with their latest DX format camera, the D7000.
The D7000 has a new improved EXSPEED 2 processing system, which when combined with their new 39 point AF system pretty much guarantees that you’re going to get the shot you want. Along with the improved auto-focusing system, the D7000 will shoot 1080p at 24 fps, or 720p at up to 30 fps. The ISO range is pretty spectacular as well, ranging from ISO 100-6400, however it will extrapolate up to 25,600. That’s pretty much unheard of in a DX sensor. The D7000 also has an expanded scene recognition system, allowing the camera is switch between modes automatically and without requiring the user to manually choose. The scene recognition system is a Nikon exclusive, and uses a 2,016 pixel 3D color matrix meter RGB sensor, which makes it possible for the D7000 to have the most accurate white balance of any current DSLR. The best news is that the D7000 will be available mid-October for $1199 for the body only, and $1299 with an 18-105mm VR lens.
In addition to the D7000, Nikon is also launching a couple a really nice new lenses today. There’s an AF-S 200mm f/2 VR II for $5999.95, the long awaited AF-S 35mm f/1.4 for $1799.95, and a new SB-700 Speedlight flash for $329.95. I think I see a new flash in my future.
From the press release:
EVOLUTION OF THE REVOLUTIONARY: THE NIKON D7000 D‐SLR IS THE PREEMMINENT DIGITAL CAMERA FOR DEMANDING PHOTO ENTHUSIASTSThe D7000 Offers Creative Freedom with Advanced Features Such as a New 16.2 Megapixel DX‐Format CMOS Sensor, Six FPS Shooting, 39‐Point AF System and 1080p HD Movie with Full Time Autofocus
Nikon Inc. today introduced the new D7000 digital SLR camera designed to fulfill the needs of passionate photographers who demand exceptional performance, reliability, and unprecedented levels of control and versatility in a compact form factor. Engineered as an ideal balance of durability and functionality, the D7000 D‐SLR features a multitude of new enhancements and updated Nikon technologies, which results in stunning photos and amazing full HD (High Definition) movies.
Continuing the tradition of innovative technology that began with the revolutionary D90, the first D‐SLR to capture HD movie, the D7000 features a new 16.2 megapixel CMOS sensor with low‐light ability never before seen in a DX‐format (APS‐C) camera. The new EXPEED 2 TM image‐processing engine fuels the enhanced performance of the D7000 along with a new 39‐point AF system and groundbreaking new 2,016 pixel RGB 3D Matrix Metering System to deliver amazing image quality in a variety of shooting conditions. Additionally, the D7000 D‐SLR provides full 1080p HD movie capability with full time auto focus (AF), enabling users to capture their world with both striking still and moving images.
“The D7000 D‐SLR creates a new class of Nikon camera by delivering exceptional quality, control and an innovative feature set; this is a camera that enables D‐SLR users to achieve a true expression of their creative vision, while concentrating primarily on image quality above all else,” said Lisa Osorio, general manager of marketing at Nikon Inc. “When you combine the innovation of the agile D7000 with the exceptional and robust line of NIKKOR lenses and accessories, the potential for D‐SLR photographers and filmmakers is limitless.”
Unparalleled Performance From Unrivaled Technologies
With its new 16.2‐megapixel CMOS image sensor and Nikon’s new EXPEED 2 image processing system, the D7000 D‐SLR delivers superior image quality with low noise. The EXPEED 2 image‐processing engine combined with a 14‐bit Analog / Digital conversion brings a new level of even tonal gradations while managing color, contrast, exposure, and noise resulting in brilliant image quality. EXPEED 2 also manages the D7000’s speedy 50‐millisecond shutter response, blazing AF speed and rapid six frame‐per‐second (fps) burst speed for up to 100 images.The D7000 D‐SLR features an all‐new 39‐point AF System, which includes nine center cross‐type sensors that operate with more than 60 NIKKOR lenses. The 39 points in the new Multi‐CAM 4800DX AF module work together to provide superior subject acquisition and fast tracking capabilities, allowing photographers to confidently capture a player stealing third from the sideline to fast‐moving wildlife. Additionally, photographers can activate dynamic or single point AF, configurable in combinations of 9, 21 or 39 or a 21‐ point ring to match a variety of shooting styles and situations. Photographers can activate 3D tracking, which continuously follows moving subjects within the 39 AF points, highlighting the activated AF point in the viewfinder.
Utilizing Nikon’s exclusive Scene Recognition System, the camera analyzes subject information from a database containing more than 30,000 images to optimize focus, exposure and white balance. To assist in creating amazing imagery, the Scene Recognition System reads data from a groundbreaking 2,016‐pixel 3D Color Matrix Meter RGB sensor that examines the scene’s brightness and color data then optimizes the camera’s performance prior to the actual exposure. Another revolutionary Nikon first, this system interprets scene data for improved control of light metering and i‐TTL flash output. Additionally this new sensor allows for a new “Ambient” white balance setting which can be activated to allow warm rendering in Automatic White Balance.
Nikon Continues the Low‐Light Fight
The D7000 D‐SLR continues Nikon’s tradition of providing photographers the confidence to shoot in low‐light, knowing they will capture high quality low‐noise images. The camera’s native ISO range of 100‐6400 affords the versatility to photograph in challenging lighting conditions, such as when indoors or in the evening. The ISO range can be expanded to a Hi‐2 setting of 25,600, which was previously found only in Nikon FX‐format territory. The resolution of the camera renders a pixel size of 4.78 μm, which allows more light to be gathered, resulting in a correctly exposed image that has less noise and finer grain.
Full 1080p HD Movies with Advanced Video Features
Building upon the popular D90 D‐SLR, the Nikon D7000 captures breathtaking full 1080p HD movies with full‐ time autofocus and manual exposure control. To keep critical HD focus, users can choose to engage a variety of AF functions, including face priority to track up to 35 human faces, subject‐tracking and normal or wide‐ area autofocus.Advanced movie features also allow exposure adjustment on the fly while recording. The D7000 D‐SLR offers variable frame rates and resolutions, and can record 1080p at a cinema‐like 24 fps, or a web‐friendly 720p at either 24 or 30 fps for up to 20 minutes per clip. Once recorded, users are able to edit and trim video clips in the camera to save time in post production. Whether utilizing a wireless or hot shoe mounted microphone, sound can be recorded via the stereo microphone input for professional audio results.
To further simplify movie shooting, Live View is activated by a single dedicated switch, and HD video recording is achieved by pressing a single button. The D7000 D‐SLR also incorporates a built‐in HDMI output CEC compliant (Consumer Electronic Control) that allows users to connect it to a HDTV and playback with most HDTV remote controls.
By adding versatile NIKKOR lenses to the equation, photographers can create a variety of photo perspectives to video such as isolating subjects with a shallow depth of field, and recording in low‐light conditions. Combining the D7000 D‐SLR with NIKKOR lenses also delivers the sharpness essential for HD video, and Nikon’s innovative Vibration Reduction (VR) II technology helps to eliminate the effects of camera shake.
Wednesday, September 1, 2010
Canon Launches The EOS 60D, A Good Rebel T2i Replacement
You might as well take your Rebel T2i back to the store, friends, because Canon just dropped the EOS 60D, a mid-range DSLR with RAW shooting, a swing-mounted LCD, and great video recording.
Price-wise we’re talking $1,000 for the body and $1,400 for the lens kit – $200 more than the T2i but with a few more features including tilt-shift and “Hipstamatic”/Toy Camera filters. Finally, a $1,000 camera that can mimic a 99 cent iPhone app. Giz wasn’t impressed but it takes a village to get those boys excited, so grain of salt there.
Anyway, press release:
CANON’S NEW EOS 60D DIGITAL SLR CAMERA
UNLEASHES THE CREATIVE POTENTIAL OF DIGITAL PHOTOGRAPHY
AND EOS FULL HD VIDEO WITH NEW IN-CAMERA IMAGING FEATURES
New EOS 60D Offers a Vari-Angle LCD Screen, EOS Full HD Video Recording, In-Camera RAW Processing and Creative Filters and 18-Megapixel Resolution Among Class-Leading Specs
LAKE SUCCESS, N.Y., August 26, 2010 – High-quality digital capture and skillful post-processing go hand-in-hand for superior end results, and more control over in-camera image processing means less time editing and more time shooting. At the same time, the overwhelming popularity of Full HD video recording with other current EOS Digital SLRs has led to customer requests for more advanced features such as manual audio level control and flexible LCD screens. Canon U.S.A., Inc., a leader in digital imaging, delivers all of these features and more with the new EOS 60D Digital SLR Camera. For the first time on an EOS camera, the EOS 60D DSLR boasts a three-inch Vari-Angle Clear View LCD screen, EOS Full HD video recording with manual overrides including audio level control, and in-camera functionality for RAW image processing plus Creative Filters to manipulate images after taking them. Designed primarily for advanced amateurs, the EOS 60D replaces the EOS 50D and boasts a broad array of new features that make it easier for photographers to add personal creativity to their images. Whether it’s capturing an overhead shot on the Vari-Angle screen at a graduation ceremony, or converting a color image to black and white for a nostalgic look, Canon is delivering in-camera features and functions that empower advanced photographers to capture, display and print the images they want.
“The EOS 60D has been designed to offer the image-capture and the Full HD video features customers are looking for as they continue to expand their photographic skills. The exciting new features of the EOS 60D make using a DSLR camera more attractive and easier than ever before. We want everyone to experience the great image quality a Canon DSLR can offer with features and functions that they will appreciate and use,” stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A.
Exciting EOS “Firsts”
For the first time in the history of the Canon EOS System, the new 60D camera features a large Vari-Angle 3-inch Clear View LCD screen with 1,040,000 dot/VGA resolution plus anti-reflective and smudge-resistant coatings for bright clear viewing from any angle. The new LCD screen is ideal for composing low-angle or overhead shots whether capturing still images or Full HD video clips.
Another first for the EOS system is the EOS 60D camera’s new Multi-Control Dial, which places a Multi-Controller and Set button inside the Quick Control Dial. This new control layout streamlines camera navigation for vertical as well as horizontal shooting and enables a cleaner camera design. Responding to customer requests, the EOS 60D also features a locking mode dial, which makes camera operation more secure by preventing inadvertent changes to the photographer’s selected shooting mode.
While the photography mantra of “get it right in the camera” still stands true, Canon’s new EOS 60D gives advanced photographers an edge with new in-camera features that enable users to enhance their images without a computer even after they have been shot. For the first time ever in an EOS camera, the EOS 60D features in-camera processing of RAW image files, new reduced resolution image copies, and post-processing creative image filters for exceptional flexibility in digital image rendering.
In-camera RAW image processing features include Picture Style, White Balance (WB), Color Space, High-ISO Noise Reduction, Peripheral Illumination Correction, linear distortion correction and chromatic aberration correction. These powerful in-camera editing tools will allow photographers in the field to produce optimized images on the spot and generate JPEG files at various resolution and compression settings for immediate sharing, without affecting the original RAW data.
Another great new feature for photographers-on-the-go is Canon’s new image resizing function. After capturing full resolution or smaller JPEG images, the camera can generate lower-resolution copies using menu commands. New lower-resolution settings include 1920 x 1280 for optimal display on HD televisions, or 720 x 480, ideal for immediate uploading to social networking and other photo sharing web sites. The original high resolution files remain unaffected by the image resizing function.
Available for the first time in an EOS camera are Canon’s new creative image filters. Familiar to Canon PowerShot users, these fun photo effects help make a great image more dynamic, even after it has been shot. Canon provides four artistic filters that allow photographers to capture an image and then create and manipulate a digital copy of it.
o The Soft Focus effect filter helps dramatize an image and smooth over shiny reflections.
o The Grainy Black and White filter can give a different nostalgic perspective to any shot.
o Canon’s “Toy Camera” filter deliberately adds vignetting and color shift for a creative option when shooting a colorful scene.
o Users can also make a scene appear like a small-scale model, simulating the look from a tilt-shift lens, with Canon’s Miniature Effect filter, great when shooting any scene from a high vantage point.
Each of these filters can be applied to a captured still image in-camera to create a second “filtered” JPEG version, leaving the original RAW or JPEG file unaffected.
Another addition to the camera’s Live View function is Canon’s new Aspect Ratio feature whereby the Live View screen can display cropping lines for 1:1, 16:9 or 4:3 aspect ratios in addition to the standard 3:2 ratio. These cropping lines make it easier to compose images in Live View, and they can help to expedite printing when using Canon’s supplied Digital Photo Professional software. Custom aspect ratios are also applied to JPEG images whether captured directly in-camera or created with the EOS 60D’s in-camera RAW image processing function.
EOS HD Video: Continuing the Video Paradigm Shift
In addition to its new still capture capabilities, the EOS 60D features Full HD video capture at 1920 x 1080 resolution with selectable frame rates of 24p, 25p or 30p. Native 24p recording helps videographers achieve a more cinema-style look for their footage without the need for post-processing. The EOS 60D builds upon the great video capabilities Canon has introduced in recent DSLR cameras and packs them into a camera photo enthusiasts will love. Full HD video capture, along with selectable cinematic frame rates for both NTSC (National Television System Committee) and PAL (Phase Altering Line) standards, will help the EOS 60D to be the camera of choice among film students and photography students alike.
The new EOS 60D camera’s movie mode also includes manual controls for exposure as well as manual audio levels in 64 steps, much like the latest firmware update for the EOS 5D Mark II HD-SLR. Users can set audio levels on the rear menu screen before shooting begins; once recording is initialized, audio adjustments are not possible. In addition, Canon has added an electronic Wind Filter to the audio controls within the movie shooting menu.
Canon has also included an in-camera movie editing feature, allowing users to shorten a video file by clipping segments from the beginning or the end, removing unwanted portions without outside software. This feature can dramatically accelerate workflow by reducing the time needed to upload video clips to a computer for further editing and assembly. The EOS 60D also includes Canon’s Movie Crop mode, which allows users to achieve 7x magnification when shooting SD video. Unlike the digital zoom feature found in many compact digital cameras, Canon’s Movie Crop mode crops the image directly from the CMOS sensor at full SD resolution to preserve image quality and still provide additional telephoto power.
Providing access to the right lens for any given shooting scenario, the EOS 60D DSLR camera is compatible with more than 60 Canon EF and EF-S lenses. The EOS 60D DSLR’s video functions are supported by two key proprietary Canon technologies, a DIGIC 4 Imaging Processor and a large APS-C–sized CMOS sensor capturing fine detail and color with an amazing cinematic depth of field. The Canon EOS 60D allows for three video recording modes – Full HD and HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio, all at selectable frame rates. The EOS 60D Digital SLR camera will record Full HD at 1920 x 1080 pixels in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); 720p HD recording at 50p or 60p (59.94) and SD video at frame rates of 50p or 60p (59.94). The EOS 60D features a dedicated button to initiate live view for both video and still shooting. Once engaged, the same dedicated button will start and stop video recording.
Valuable Additional Features
Along with the adjustable LCD screen, the new EOS 60D DSLR features a class-leading 18-megapixel Canon CMOS sensor, a proprietary DIGIC 4 Imaging Processor, a 9-point Autofocus system and Canon’s exclusive iFCL Metering System (Intelligent Focus, Color, Luminance) giving it the power of a professional-level camera. Capable of capturing fast action, the 60D DSLR can shoot full resolution still images up to 5.3-frames per second (fps). The EOS 60D records its images and video clips to the photographer’s choice of SD, SDHC or new extended capacity SDXC memory cards.
The 9-point AF system on the new EOS 60D features f/5.6-sensitive cross-type focusing on all nine focusing points. Like the EOS 7D, the center AF point is a hybrid of standard cross-type and special diagonally-shaped “X” cross, with high-precision sensitivity for f/2.8 and larger aperture lenses. Complementing the AF system, Canon’s iFCL metering system, identical to that on the EOS 7D and Rebel T2i, takes color information into account and includes a 63-zone dual-layer metering sensor that reads both illumination and color for consistent results in all lighting conditions, keeping exposure levels stable from shot to shot, even as the light source changes.
Photographers will enjoy shooting in low light thanks to the EOS 60D DSLR’s wide ISO range from 100-6400 (adjustable in 1/3-step increments from ISO 100-6400 and expandable to 12,800) allowing it to capture beautiful images without flash during family milestone events such as wedding ceremonies, while still being equipped with a built-in pop-up flash for shooting the cake cutting ceremony and reception. The EOS 60D’s pop-up flash features a built-in Integrated Speedlite Transmitter for control of up to two groups of off-camera EOS Speedlites without the need for an external transmitter, providing an economical solution for multi-flash shoots.
Making accurate composition more convenient, the EOS 60D’s optical viewfinder provides 96 percent coverage along with Canon’s built-in single axis Electronic Level Display, which utilizes the exposure level scale below the picture area to let the photographer know when the camera is level. The Electronic Level Display is also visible on the camera’s LCD screen in both Live View and Movie modes. An artificial horizon display illustrates horizontal roll, allowing the photographer to know when the camera is in a fixed level position. The entire camera has been durability-tested to 100,000 exposures making the EOS 60D a reliable as well as a powerful imaging tool.
Pricing and Availability
The Canon EOS 60D Digital SLR camera is scheduled to be delivered to U.S. dealers toward the end of September, and will be sold in a body-only configuration at an estimated retail price of $1,099.00[i]. It will also be offered in a kit version with Canon’s EF-S 18-135mm f/3.5-5.6 IS zoom lens at an estimated retail price of $1,399.00[ii]. The Canon BG-E9 battery grip is scheduled to be available toward the end of September and sell at an estimated retail price of $270.00[iii].
Wednesday, August 18, 2010
Another Late Night Canon Powershot Frenzy
S95
God damn it, Canon. Seriously. Every time I try to relax with a cold glass of juice*, you have to release a gaggle of point and shoots. You know I’m not going to pay close attention! Why not release them during the day?! All right. Let’s do this.
Three new Powershot cameras were released tonight. We’ll start with the most expensive and go on down the line.
This is your high-end camera, combining a high-sensitivity 10-megapixel CCD with a fast F/2.0 lens. It’s meant for versatile non-flash photography, and can ape HDR by taking three exposures and merging them in-camera. It’s got a 3.8x zoom starting at a 35mm equivalent of 28mm and shoots 720p video. No mention of LCD size, but it looks like 3″. Costs $400.
SD4500 IS
Your compact action megazoom. 10 megapixel CMOS sensor, 10x optical zoom, shoots 1080p video and has a lot of stabilization. Also shoots slow motion to the tune of 240FPS, though resolution is not mentioned. Also shoots 8.4FPS stills – nice! This one gets my recommendation, even though it’s quite expensive at $350. Don’t get it in brown.
SX1350 IS
What passes for the cheap one here. Doesn’t do anything special, so they had to make it look cooler. 10 megapixels and a 12x zoom, which is nice, but honestly, you rarely want more than 5x in day-to-day use. What really matters is the wide end. Costs $250. Not recommended, out of spite for Canon interrupting my night.
There you have it. Happy now, Canon?I’d go for the SD4500, personally. The extra video modes and focus on stabilization make it seem like the best choice for catching your kid slide-tackling someone at a soccer game. The press release, which I am not putting here (again out of spite… read it here if you must), says nothing of its lens other than zoom, so if it’s slow, consider this recommendation retracted. Good night, sir. I said good night.
*may contain gin
Nikon Makes The D3100 DSLR Official: $700, 14 Megapixels, Improved Video
If you’ve been following the rumors about the Nikon D3100, you pretty much know all there is to know. Early reports were dead-on regarding new features, specs, and even the day of the announcement. The D3100 is a long-overdue update to Nikon’s consumer DSLR, putting it on equal footing with Canon’s excellent T2i — if not outdoing it.Here are the vital specs:
- 14.2 megapixel sensor
- 1080p/24 video or 720p/VGA/24/30 (H.264/AVCHD)
- 3″ LCD (230k dots/320×240 pixels) (boo)
- 11-point autofocus
- Continuous autofocus in video mode (contrast-based)
- 3FPS burst rate (boo)
- In-camera editing of video (clipping, basically)
- ISO 100-3200 (expandable to 12800)
A few things worth mentioning: there’s a quiet shutter release mode, not sure if that’s new, but buddy I could have used that a few times when I was traveling. The autofocus mode will detect up to 35 faces in the frame, a capability for which I am certain no one will ever find a use. The shutter is rated to 100,000 shots, which means you’re unlikely to wear it out any time soon. The LCD is a bit disappointing, though — 320×240? Come on!
The Nikon 3100 will be available in mid-September for $699.95, including a 18-55mm f/3.5-5.6G VR lens. Sounds like a pretty great deal to me.
What’s that? You want the full press release? How precious! Here you go:
THE NEW NIKON D3100 D-SLR EMPOWERS AND INSPIRES USERS AS THE SIMPLE SOLUTION TO STUNNING PICTURES AND AMAZING
HD VIDEO
Enhanced Guide Mode and the Ability to Shoot 1080p High Definition (HD) Video with Full Time Auto Focus Allow Users to Capture with Confidence
MELVILLE, N.Y. (AUGUST 19, 2010) – The new Nikon D3100 digital SLR camera speaks to the growing ranks of enthusiastic D-SLR users and aspiring photographers by providing an easy-to-use and affordable entrance to the world of Nikon D-SLR’s. The 14.2-megapixel D3100 has powerful features, such as the enhanced Guide Mode that makes it easy to unleash creative potential and capture memories with still images and full HD video. Like having a personal photo tutor at your fingertips, this unique feature provides a simple graphical interface on the camera’s LCD that guides users by suggesting and/or adjusting camera settings to achieve the desired end result images. The D3100 is also the world’s first D-SLR to introduce full time auto focus (AF) in Live View and D-Movie mode to effortlessly achieve the critical focus needed when shooting Full HD 1080p video.
Packed into the compact and lightweight body of the D3100 camera is a host of advanced Nikon technologies, such as the new EXPEED 2TM image processing engine. EXPEED 2TM in conjunction with Nikon’s new 14.2-megapixel DX-format CMOS sensor is the driving force behind the enhanced performance and rich image quality. Ready to go wherever life leads, the D3100 features split-second shutter response and a blazing fast 11-point AF system to help ensure tack-sharp images. For shooting in challenging lighting conditions, ISO 3200 (expandable to 12,800) enables versatility in environments such as indoors or in the evening hours.
“People are stepping up to digital SLR cameras – consumers are embracing the enhanced performance, amazing image quality and options for lenses and accessories that only a D-SLR can provide,” said Lisa Osorio, general manager of marketing at Nikon Inc. “The D3100 is a camera that makes it easy to take beautiful pictures and will grow with the user, unlocking their potential and assisting in creating lasting memories or amazing art.“
Get Inspired With The Guide Mode
Whether new to D-SLR photography or exploring new shooting techniques, the D3100 features an enhanced Guide Mode with an easy-to-use interface to help customers build confidence in using their D-SLR through on-demand, step-by-step assistance. A stand out feature in the D3100’s predecessor, the D3000, the Guide Mode is easily accessed through the Mode Dial on the top of the camera. This enhanced help function now features sample assist images that change with camera settings to inspire consumers to achieve a desired look and feel to their images, while guiding through easy to understand photographic techniques. For example, to instill the majestic appearance of moving water, users can select “show water flowing” from the Guide Mode, and simply follow the prompts to create the ideal camera settings to capture an amazing image.
By following the guidance on the bright 3-inch LCD screen, users can achieve professional looking photographs to be proud of. Whether looking to soften backgrounds, freeze a moment in time or convey motion, the Guide Mode assists users in exploring effective picture taking solutions at their own pace to make capturing great pictures even easier and enjoyable.
Full HD Video Made Easy with D-Movie
The Nikon D3100 D-SLR allows users to capture stunning Full HD, 1080p resolution (1920×1080) movies. Users can record cinematic quality 24p video clips, or shoot at 24 or 30 frames-per-second at 720p, ideal for sharing online. By incorporating versatile NIKKOR lenses to the equation, users can now create a variety of photography effects to video such as isolating subjects with a shallow depth of field, and recording in low light conditions. NIKKOR lenses also deliver the sharpness needed for HD video, and Nikon’s Vibration Reduction (VR) II technology helps to eliminate camera shake.
While Nikon pioneered HD video in a D-SLR, Nikon is now introducing another industry first to enrich the user experience: The D3100 is the first D-SLR to implement full time AF for D-Movie video shooting and while in Live View mode. Using contrast based AF, the D3100 automatically focuses on subjects when Live View is activated to aid shooting when using the LCD. The D3100 camera also uses Face Detection technology to lock focus on up to 35 human faces, a feat not even accomplished with consumer camcorders. To further simplify movie shooting, Live View is activated at a single flick of a dedicated switch, and HD video recording is achieved by a simple press of a button.
Sharing and editing video clips is also easier than ever, as the D3100 records movies in the versatile H.264 AVCHD codec (.mov file). While playing movies back in the camera, users are able to edit recorded videos by clipping footage from the beginning or end of a movie. High Definition movies and stills can be shared with family and friends on an HD television via HDMI output, and control slideshows and video using the HDMI Consumer Electronics Control (CEC) interface that is a part of most modern remote controls from HDTV manufacturers. Additionally, the D3100 is compatible with the new SDXC memory card format to store large amounts of photo and video data so users can shoot multiple scenes without interruption.
Renowned Nikon Technology
The D3100 leverages proven Nikon technologies to create the most positive picture taking experience for consumers of any skill level. With its new 14.2-megapixel CMOS image sensor and Nikon’s new EXPEED 2TM image processing system, the D3100 delivers exceptional image quality with low noise. The new EXPEED 2TM image-processing engine enhances camera performance and helps to ensure brilliant image quality while managing color, contrast, exposure, noise and speed for optimal results. The D3100’s normal ISO range extends from ISO 100 to 3200, allowing users to capture stunning images, even in low light environments. Additionally, the D3100’s ISO range can expand to a Hi-2 setting of ISO 12,800, furthering the opportunities for low-light shots that other cameras miss.
Other exclusive Nikon technologies include the Active D-Lighting system, which automatically rescues dark or backlit images to help create flattering images with even tones. This is especially useful when photographing subjects that are backlit by the sun or lights to provide an even exposure.
What’s more, Nikon’s Scene Recognition system draws upon the 420-pixel RGB color 3D Matrix Meter for outstanding exposures under a variety of lighting conditions by integrating a database of tens of thousands of sample images. The result is a camera intelligent enough to recognize when photographing a specific scene such as a portrait or landscape and automatically choose the proper camera settings.
To make taking great pictures even easier, the D3100 elevates Nikon COOLPIX technology and incorporates an Auto Scene Selector feature in Live View. This innovative function automatically selects the best scene mode to match shooting conditions. When engaged, the camera will automatically recognize when shooting a lush landscape or fast action sports and adjust the camera settings to create an astounding image. Six preset scene modes can also be accessed with the Mode Dial on top of the camera to overcome many common shooting challenges.
Compact Design. Huge Performance.
With comfortable yet intelligent ergonomics, the D3100 packs powerful technology that’s easy to use into a compact form factor. The advanced 11-point autofocus system of the D3100 makes it easy to find and focus on a subject through an enhanced viewfinder design with new “hollow” focus points to give a clear view of the subject.
In the playing field or the backyard, the benefits of Nikon’s advanced 3D Subject Tracking become clear, as the camera continuously focuses on fast moving subjects throughout the frame, resulting in crisp, clear action shots. Additionally, the D3100 offers split-second shutter response, eliminating the frustration of shutter lag—the annoying delay that ruins so many pictures. With the ability to capture images at up to three fps, users never miss a moment.
Also added to the D3100 is a Quiet Shutter Release mode, which substantially reduces the sound of the mirror while shooting. Quickly accessed by selecting “Q” on the release mode dial, this feature is ideal for the photographer who wishes to remain unobtrusive, for example during quiet ceremonies or photographing a sleeping baby.
Nikon also empowers users to prepare their photos for sharing quickly and easily using Nikon’s extensive in-camera Retouch Menu, which easily applies a variety of fun and dramatic effects to images without a computer. Fun and easy-to-use adjustments include a miniature effect to photos, image overlay, color outline and softening filters for flattering portraits and realistic skin tones.
The D3100 also incorporates Nikon’s Integrated Dust Reduction System, which offers a comprehensive solution that combats the accumulation of image-degrading dust from the camera’s image sensor. The shutter is tested to 100,000 cycles for maximum durability, ensuring years of captured memories.Gateway to Legendary NIKKOR Optics and Accessories
Nikon has also introduced the ideal companion to the D3100, the brand new AF-S DX NIKKOR 55-300mm VR lens, which gives users super-telephoto zoom capability for an affordable price. This is a perfect complementary lens when combined with the AF-S 18-55mm VR kit lens, and is great for capturing images of sports and wildlife around town or on vacation. Photographers can also appreciate the D3100’s system expandability, as it is compatible with more than 40 legendary NIKKOR AF-S interchangeable lenses. While the D3100 offers a versatile built-in flash, the camera also operates with Nikon’s Creative Lighting System and is capable of Advanced Wireless Lighting when using the SB-900 Speedlight or the SU-800 Wireless Commander. The D3100 D-SLR’s design also supports Eye-Fi memory card functionality, enabling the convenient wireless transfer of images from the camera to a computer when using Eye-Fi memory cards. Also included is a new version of Nikon’s powerful image editing application, View NX2. The latest edition of this software allows users to organize and edit both photos and video files easily.
Price and Availability
The D3100 D-SLR camera outfit, including the versatile AF-S NIKKOR 18-55mm f/3.5-5.6G VR image stabilization lens, is scheduled to be available at Nikon Authorized dealers beginning in mid September 2010, at an estimated selling price of $699.95.* The AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR lens will be available starting in September for $399.95*. For more information, please visit www.nikonusa.com.
Thursday, July 15, 2010
CrunchRumor: Nikon’s new entry level camera will be called the D3100
We’re calling this one a rumor, but it’s pretty much confirmed. Nikon is expected to announce their newest models at Photokina, but there’s always leaks before the show. Word got out a few months ago that Nikon was going to release a new entry level DSLR this year, something between the D3000 and D5000. The previous rumor was that it was going to be called the D4000, but that appears to be false.
The new rumor is that the next model will be called the D3100, and will have some interesting new features. Here’s what we think we know:
- Continuous autofocus in video mode
- A new autofocus configuration covering the majority of the viewfinder
- HD Video (1080p and 720p)
- In-camera video editing
- Expected to come as a kit, with an 18-55mm lens
We don’t know how much it will cost, or what the official release date will be, but it’s safe to assume we’ll get an official announcement in the new few weeks.
Wednesday, July 14, 2010
Retailers pulling Nikon D90s to prepare for new model?
The D90, Nikon’s popular and versatile enthusiast DSLR, may be approaching the end of its lifespan. It was leaked in August of 2008 and has been a solid contender ever since, despite having some serious skew on its video. And now, almost two years later, it appears to be being pulled from retail shelves in order to make room for a successor.It is whispered that this successor will be announced at Photokina in late September. Chances are we’ll see bits and pieces of it before then, just like last time. This is all unconfirmed, but stay tuned.
Sunday, June 27, 2010
Review: Toshiba H30 compact HD camcorder
Short version: The H30 represents the final and most refined form of the traditional family camcorder. But with HD cameras appearing on every device, is a traditional camcorder something you need?
Features:
- 1080p video
- 5x optical zoom
- SD card storage
- Touchscreen LCD
- MSRP: $250 ($180 street)
Pros:
- Very compact and light for traditional form factor
- Extra modes can come in handy
- Much better image quality than pocket cams
Cons:
- Video quality only so-so at 1080p
- Menu navigation feels slow and inexact
- No manual focus mode
Full review:
The advent of HD recording in regular point-and-shoots and in pocket cams like the Flip has put pressure on the traditional style of camcorder, and there hasn’t been much of a response. They haven’t changed much over the last decade or so, other than to continually decrease in size and increase in resolution. That’s good, but the original flavor will soon cease to impress even the most naive buyer. For now, though, they’re still here, and the H30 seems to combine the virtues of low price, compact body, and decent functionality.
The camera itself is extremely small. As you can see, it’s dwarfed by a can of beer — and it’s lighter as well. Its strength and durability are about what you’d expect; it’s plastic but well-built and has very little in the way of breakable stuff on it. The controls are minimal: zoom rocker, two mode switch buttons (motion/still), a record button and a dial that doubles as a directional pad. Once you flip out the LCD, there’s a power button and a “world” button which I’ll get to later. But it’s very economical control-wise, and nobody is likely to be confused by its operation.
The LCD, of course, is a touchscreen and most of the functions are available through the menu. You’ve got your usual resolution and scene mode select (the H30 does 1080p/30, 720p/30, WVGA/60, and VGA/60) and of course format and all that. The H30 also has a few special modes:
Macro, in which the focus is locked at its closest setting
Motion detect, which will start recording when it sees motion
Slow motion, which appears to fire at about 120FPS (1/4 normal speed)
Time lapse, with frame intervals of 1, 3, and 5 secondsThey all do more or less what you expect. Slow motion really kills the exposure, but outside in good light you should be okay. Macro lets you get close but not ridiculous close — about three or four inches away from the subject. Time lapse works fine, but the screen remains on the whole time (battery warning) and it’s disappointing that it shoots video frames and not stills.
That reminds me: you can of course take pictures with this thing, but I don’t recommend it except as a last resort. Much as how point-and-shoots take rubbish video for the most part, camcorders tend to take rubbish pictures. The H30 is no exception. Don’t look too close and the occasional snapshot will be fine if you can’t reach your other camera, but the noise, compression artifacts, and oversharpening are insane.
Another handy feature is pre-recording. If you’re waiting for something to happen or just too slow on the draw to catch the start of a race, some first steps, or some hilarious pratfall, you’ll appreciate this. Just hit the little “world” button; now, when you hit record, it will include the previous three seconds in the video. Parents will appreciate this, though I assume it reduces battery time. The same button during playback marks movies for immediate upload to YouTube if you use their software.
Navigation of the touch menus is straightforward, but not exactly snappy. Some of the buttons are also rather small and take careful aim to hit. Overall it is functional, but doesn’t feel robust.
The 3″ display is bright and responsive in normal operation, though. It reflects the framerate being recorded (except in slow-mo mode), so motion is more fluid in 60FPS mode, but it looks fine at 30 as well. It’s not particularly high resolution, but it’s easy to read and it’s clear when things are in focus (or not).
5x zoom is handy, though it seems to go in and out awfully slow. Using a pocket cam a lot, you forget how handy a real zoom can be.
Video quality is… well, 1080p is a stretch on all compact devices with small sensors. People want to shoot at 1080p for some reason, even if the image quality suffers, and even if it’s going to be uploaded to YouTube in the end anyway. It’s no different with the H30. The usual suspects turn up immediately: oversharpening, skew, smearing… the usual. Look at the full frame pic here:
See how very little detail is reflected in the bricks and tree bark? The encoding isn’t up to the task, though the H30 does have better glass in front than any pocket cam. The end result is video that most people will find satisfactory, but would have trouble really saying is high definition. Skew is also very pronounced. Take a look at this little sample video:
See what I mean? It’s present on almost all video devices now, but it’s always more visible on the cheaper ones. I’m not sure I’m prepared to say that the video on the H30 is significantly better than pocket cams, but I do think that the bigger lens and optical zoom give it at least a noticeable advantage in clarity and usability.
Conclusion
At $180, the H30 is easy to recommend — if you think a traditional camcorder is worth your money at all. It’s a bit larger and more complicated than your average Flip or Kodak, but it also brings marginally better image quality, optical zoom, and a few extra features many consumers will find handy. On the other hand, a PlaySport can be had for $120, and my personal favorite P&S, the EX-FC100, for $200. The most compelling feature of the H30 is really that it’s the same device we’ve been using for ages, just packed into an incredibly tiny package. We’ll all be recording video with our iPhone 4s and Droid Xs soon enough, but in the meantime it might be reassuring for a lot of people to have something like this sitting in a drawer, familiar and reliable.
Product page: Toshiba Camileo H30
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